This is Marideth Sisco for These Ozarks Hills. And today, in these turbulent times, I am thinking about Changes. They may come suddenly or slip in over time, so quiet, and stealthy we may not even notice until it’s done. The snippet of the song I just sang was written in the middle 1960s by Phil Ochs, who was in his early 20s, as was I when I first heard it.
As a generation, we had had the dubious opportunity to reflect deeply on changes, as we had been brand new adults, so new we sparkled, when our government discovered that Mr. Khrushchev had put nuclear missiles in our back yard, close enough to easily reach any part of our yard. And more were coming. And Mr. Kennedy had ordered Khrushchev to remove them, and said out Navy would destroy their ships if they attempted to land with their lethal cargo. We were on the brink of a war that could end the earth.
Read more at…Change never comes without loss
Excelling at protest material before honing an introspective approach that’s been naggingly underappreciated over the years, Phil Ochs stands as one of the essential folksingers of the 1960s. Live in Montreal, 10/22/1966 combines his pointed takedowns of authority and injustice with early solo readings of his less explicitly political songwriting, and the combination illuminates the artist’s range and commitment. The full show is spread across two compact discs, and is available now through RockBeat.
Read more at . . . Graded on a Curve: Phil Ochs, Live in Montreal, 10/22/1966